Step into the heart of Broadway for an unforgettable experience with Death of a Salesman, Arthur Miller’s powerful and deeply human masterpiece. This iconic play follows Willy Loman, a traveling salesman chasing the American Dream, only to find himself questioning everything he thought success was supposed to be.

Starring acclaimed actors Nathan Lane and Laurie Metcaf and brought to life in a stunning new Broadway revival, this production reveals fresh layers of emotion, family tension, and timeless truth.

Join us for a meaningful night out in New York City, where classic storytelling meets world-class performance. Whether you're a longtime theater lover or just looking for a memorable cultural experience, this is a show that stays with you long after the curtain falls.

Price includes coach bus/ center orchestra seats and lunch on your own. Bus leaves the JCC at 10:00 am and returns after the show.

• $225 JCC Member Price
• $265 Community Member Priced

Tickets

Synoposis:

Death of a Salesman is a 1949 play by Arthur Miller about Willy Loman, an aging, disillusioned traveling salesman struggling with the American Dream, his family, and his fading career, culminating in his tragic suicide. The play, a masterpiece of American theater, uses a non-linear structure of memories, dreams, and reality to explore themes of failure, identity, and the conflict between illusion and reality.

“New York Times Critic’s Pick. A perfect 'Salesman,’ full of exquisitely calibrated performances. It is a triumph. My blood froze to ice.” - Helen Shaw, The New York Times

“★★★★★ Joe Mantello's shattering ‘Salesman’ is the best I have ever encountered, and the best I am likely ever to see.” - Adam Feldman, Time Out

“Arthur Miller’s ‘Death of a Salesman’ has never before stung quite so acutely, or so beautifully. A haunting dream of a domestic quartet in Nathan Lane, Laurie Metcalf, Christopher Abbott, and Ben Ahlers.” - Ben Brantley

“Joe Mantello’s perfectly calibrated 'Death of a Salesman' lands like a haymaker to the temple. The central quartet weaves something devastating together, with lucid, relentless precision.” - Sara Holdren, New York Magazine